2010 Issue 2

Vol. XII, no. 2, 2010 GENRES AND HISTORICITY: Texts, Cotexts, Contexts

Michael Hattaway. HOUSES IN THE ENGLISH NOVEL: MODERNISMS, EKPHRASES, AND THRESHOLDS abstract and full text

Adriana Bulz. MIHNEA GHEORGHIU’S CONTRIBUTION TO THE RECEPTION OF EUGENE O’NEILL IN ROMANIA abstract and full text

José Manuel Estévez-Saá. JAMES JOYCE’S INFLUENCE ON CONTEMPORARY IRISH WRITERS abstract and full text

Eric Gilder and Mervyn Hagger. I STARTED A JOKE – TEXT, COTEXT, CONTEXT: THE ROUGE RENDERING OF “PIRACY” AS A VEXED LEGAL CONSTRUCT OVER TIME AND PLACE abstract and full text

Nicolae-Andrei Popa. CANONICAL APPROACHES TO SHAKESPEARE: DR. JOHNSON AND COLERIDGE abstract and full text

Alina Roscan. RECONSTRUCTING THE PAST BY MEANS OF SUBJECTIVITY AND FICTIONALITY IN LOVE, ETC BY JULIAN BARNES abstract and full text

Mihai Stroe. THE TITANIC ATOM: EDGAR ALLAN POE’S ROMANTIC COSMOLOGY IN “EUREKA” abstract and full text

Iuliana Tanase. THE CONCEPTUAL AND GENERIC BORDERLINES OF UTOPIA abstract and full text

Chris Tanasescu. NOTES TOWARDS A CONTEMPORARY POETICS OF COTEXT AND ITS CULTURAL LITERARY CONTEXTS abstract and full text

Roxana Tohaneanu-Shields. MEANS AND ENDS IN CONCEPTUAL ART abstract and full text

Cristian Stefan Vîjea. METAMORPHOSES OF THE COVENANTERS IN SCOTTISH HISTORICAL FICTION abstract and full text

Richard Witt. THE ‘SPLIT INFINITIVE’ (OR INVASIVE ADVERB) AS CULTURAL EMBLEM abstract and full text